Christmas is a Time for Scary Ghost Stories

Christmas is a Time for Ghost Stories

http://andrewbarger.com/bestghoststories1800.html

Scary short story author and humorist Jerome K. Jerome said in his 1891 introduction to an anthology of Christmas ghost stories “Told After Supper," "Whenever five or six English-speaking people meet round a fire on Christmas Eve, they start telling each other ghost stories." In 1963 Edward Pola and George Wyle wrote the popular Christmas song, "It's the Most Wonderful time of the Year," which told of "Scary ghost stories," that are told at Christmastime.

This Victorian tradition should be no different this year. Checkout "The Best Ghost Stories 1800-1849" and "The Best Ghost Stories 1850-1899" that I edited. The books include story backgrounds, annotations, author photos and a foreword titled "All Ghosts Are Gray." Buy PHANTASMAL: THE BEST GHOST STORIES 1800-1849 tonight and be ready to be scared. Boo!

The Tapestried Chamber (1827)

Sir Walter Scott was a leading proponent of supernatural tales in Europe. The Tapestried Chamber is the second oldest scary story in the anthology and contains moments of sheer terror.

Adventure of the German Student (1824)

Washington Irving is best known for "The Legend of Sleepy Hollow," but the Adventure of the German Student" is as compact a fright as one will find in a little ghost story.

The Old Maid in the Winding Sheet (1837)

Nathaniel Hawthorne makes his only appearance with a horror tale that is superbly written. It was also an Edgar Allan Poe favorite.

The Spectral Ship (1828)

Wilhelm Hauff died in his mid-twenties, yet still showed early promise that he could have been one of the all time great supernatural writers. "TheSpectral Ship" leaves an indelible tang of horror.

A Night in a Haunted House (1848)

This anonymous ghost story will make a person think twice when they hear a thump coming up the stairs.

The Mask of the Red Death (1842)

"The Mask of the Red Death" is perhaps Edgar Allan Poe's finest ghost story. The writing and symbolism are unparalleled for this period in question.

A Chapter in the History of a Tyrone Family (1839)

Joseph Sheridan Le Fanu was the early king of the short ghost story. He would later publish "Green Tea," which is contained in BEST HORROR SHORT STORIES 1850-1899: A 6A66LE HORROR ANTHOLOGY.

The Deaf and Dumb Girl (1839)

This anonymous ghost story is collected for the first time in any anthology since its original publication in 1839.

The Legend of Sleepy Hollow (1819)

Washington Irving's most popular ghost story--and perhaps the most popular ghost short story of all time (assuming Dickens's "A Christmas Carole" is a novella)--is "The Legend of Sleepy Hollow." Although typically disfavored in a scary ghost story, it is one of the first to do it without losing the element of terror and it is the oldest in the Top 10, which gives the story high marks for originality and creativity.

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Best Ghost Stories Anthology for $.99

Want to be frightened over the weekend? For a limited time the Kindle version of The Best Ghost Stories 1800-1849: A Classic Ghost Anthology has been dropped to $.99. Read it tonight for a buck. And for those of you in the United States--have a great long weekend!

Best Ghost Story 24 from 1800-1849 is "The Water Spirit"

Joseph Snowe's ghost story "All Soul's Eve" appeared at spot 30 in my countdown of the Top 40 ghost stories from 1800-1849. His next appearance on the countdown is at spot 24 with The Water Spirit. This scary story about a mid-wife who is summoned by the spirit world is very well written. It first appeared in Vol 1 of the 1839 collection of short stories titled The Rhine, Legends, Traditions, History from Cologne to Mainze by Snowe. Long before the movie Jaws, this ghost story taps into our hidden fears about what lurks beneath the water. I hope you enjoy it. 

Best Ghost Stories 1800-1849: A Classic Ghost Anthology Published!

In my last post I promised exciting news. Well, here it is. The Best Ghost Stories 1800-1849: A Classic Ghost Anthology is published and available on Kindle. In the coming weeks I'll let you know when it is available at the iBookstore, Barnes & Noble, Kobo, etc. The physical book is still at the designer's and I hope to have it published in time for the Halloween season. Next week I'll also post the stories and authors in the book. Believe me, I have picked the most well-written scariest ghost stories for the first half of the nineteenth century. It's reasonably priced at $2.99 and also available for Kindle UK and Germany. Enjoy!

Best Ghost Story 27 from 1800-1849: The Chase

In October of 1833 a scary ghost story was published in The Western Monthly Magazine, a publication that was unafraid to publish supernatural stories. The story was simply titled The Chase and beneath it, it claims to be from "the log book of Richard Mizen, Q. S." I have been unable to find a "Richard Mizen" listed elsewhere in the literature and this captain is likely a fiction. Regardless, "The Chase" is one of the best ship battle stories for the first half of the nineteenth century. The writing is at a high level. The dialogue snaps and feels real. The drama builds to a climatic end and it is one of the best anonymous ghost stories in the countdown of the Top 40 ghost stories from 1800-1849. I hope you enjoy it.

AndrewBarger.com 

Best Ghost Stories 1800-1849: Story 28 is Solange by Alexander Dumas

The 28th best ghost story for the first half of the nineteenth century is Solange by the esteemed Alexander Dumas (1802-1870). This is the best ghost story by Dumas given its plot, style and characters. It is also his scariest ghost story with the plot building to its climatic end, which I won't give away here. The full title of the tale is "Solange: Dr. Ledu's Story of the Reign of Terror" and it was published in 1849. Most of the Top 40 ghost stories I have picked for this countdown have a ghostly presence throughout. In Solange, however, the ghost appears near the end, but it's effect is horrific just the same.

The portly Alexander Dumas is best known for creating such memorable characters as the Three Musketeers and Quasimodo. He is not considered a player in the realm of supernatural tales. None of his stories made my list of the Top 40 horror stories for the period in review and, obviously, none of them reached the level of the dozen picked for The Best Horror Stories 1800-1849 that I edited. He did pen "The Vampire of the Carpathian Mountains," which is thought to be the first vampire story set in the ominous mountain range of Europe. He also wrote a werewolf story by the title of "The Wolf Leader" in 1857.  

Best Ghost Stories 1800-1849 Countdown - Scary Story 35 Link

As the author of the fictional Edgar Allan Poe biography Coffee with Poe and editor of Edgar Allan Poe Annotated Short Stories and Poems, I am sometimes asked if Poe had a favorite ghost story. Truth be told, Poe was quiet clear on his favorite ghost story--or at least his favorite by an American, which I believe is a dig at Charles Dickens and his bias toward British literature. It is by William Gilmore Simms and is titled: Murder Will Out. I don't, however, agree with Poe since I have placed it in spot 35 in my Top 40 countdown of the scariest ghost stories from 1800-1849. This is what Poe had to say about it in his review (published posthumously in 1850) of Simm's collection of short stories: "The Wigwam and the Cabin."

     All the tales in this collection have merit, and the first has merit of a very peculiar kind. “Grayling, or Murder will Out,” is the title. The story was well received in England, but on this fact no opinion can be safely based. “The Athenæum,” we believe, or some other of the London weekly critical journals, having its attention called (no doubt through personal influence) to Carey & Hart’s beautiful annual “The Gift,” found it convenient, in the course of its notice, to speak at length of some one particular article, and “Murder Will Out” probably arrested the attention of the sub-editor who was employed in so trivial a task as the patting on the head an American book — arrested his attention first from its title, (murder being a taking theme with a cockney,) and secondly, from its details of southern forest scenery. Large quotations were made, as a matter of course, and very ample commendation bestowed — the whole criticism proving nothing, in our opinion, but that the critic had not read a single syllable of the story. The critique, however, had at least the good effect of calling American attention to the fact that an American might possibly do a decent thing, (provided the possibility were first admitted by the British sub-editors,) and the result was first, that many persons read, and secondly, that all persons admired the “excellent story in ‘The Gift’ that had actually been called ‘readable’ by one of the English newspapers.”

Now had “Murder Will Out” been a much worse story than was ever written by Professor Ingraham, still, under the circumstances, we patriotic and independent Americans would have declared it inimitable; but, by some species of odd accident, it happened to deserve all that the British sub-sub had condescended to say of it, on the strength of a guess as to what it was all about. It is really an admirable tale, nobly conceived and skilfully carried into execution — the best ghost-story ever written by an American — for we presume that this is the ultimate extent of commendation to which we, as an humble American, dare go.

The other stories of the volume do credit to the author’s abilities, and display their peculiarities in a strong light, but there is no one of them so good as “Murder Will Out.”

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